Maya Caspari

Photo by Robin Silas Christian

I am a researcher and writer, based in London and York.

My poetry book is Almost, with Tenderness (Out-Spoken).

My forthcoming academic book is Reading Frictions: Memory, Violence, and the Politics of Touch in Contemporary World Literature.

My co-edited special issue ‘Decolonial Feminisms: Reading Otherwise’ explores the meanings of decolonial feminisms today; discussing practices of reading, writing, speaking, and living otherwise in academia and beyond.

I am a Lecturer in the Department of English and Related Literature at the University of York. Prior to this, I worked in various arts, cultural, and research organisations. This included curating ‘Forms, Voices, Networks: Feminism and the Media’: an exhibition exploring 20th century feminist activism in Britain, Germany, and India.

 
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Research

My background is in comparative literary studies, but my work is interdisciplinary. Recent work explores the ethics and politics of research and writing in the contemporary moment, focusing particularly on how contemporary writers experiment with ‘touch’ as methodology.

Reading Frictions: Memory, Violence, and the Politics of Touch in Contemporary World Literature discusses how contemporary writers engage the politics of touch to represent diverse histories of modern violence and to imagine anti-colonial forms of relation and collectivity in the present. It considers issues including the limits of empathy, the possibilities of speculative thinking, and the relationship between writing and resistance.

I have also written about various topics including techno-touch in Afrofuturist film (The Senses & Society); ‘subjunctive’ remembering (Berghahn Books); Han Kang’s The Vegetarian’s re-imagining of postcolonial resistance (Journal of Postcolonial Writing); and the ethics of contingency and care in exhibition curation (Women’s History Review).

I co-edited a special issue of parallax ‘Reading Otherwise’ with Ruth Daly: a series of in-conversations on what decolonial feminisms mean today, which explores feminist approaches to writing, reading, and living in academia and beyond.

Writing

Almost, With Tenderness was published by Out-Spoken Press in 2025

‘an accomplished debut…deliberate and exacting work’ (Poetry Review)

’Maya Caspari’s Almost, with Tenderness delves deep into a grammar of intimacy. It strikes a deftly achieved balance between what is articulated and what is withheld in subtle lyric narratives that speak of family, love and loss.’ (Michael Marks)

’[offers] glimpses of a family stuttered by nations, borders, and language games’ (Oxford Poetry)

My poetry has also appeared in journals including The Poetry Review, Ambit, Wasafiri, Propel, and Butcher’s Dog. I have been Highly Commended in the Forward Prizes, twice longlisted in the National Poetry Competition and Mslexia Poetry Prize, and shortlisted for the Aesthetica Creative Writing Award.

 

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Public Engagement/Curatorial Projects

 
 

Forms, Voices, Networks: Feminism and the Media
An exhibition for the German Historical Research Institute, London

Can Robots Care?
An exhibition at Thackray Museum of Medicine.